You don’t have to start with exercise one. Start with this exercise if you like!
Note: If at any time you are experiencing pain
during the playing of this exercise or any other exercise I give, then stop
immediately! Please! It doesn’t help me as a teacher to gain
students with tendonitis, or other guitar injuries.
Note2: Palm muting refers to muting the actual
string that you are playing, and all the other strings.
Note3: Without palm muting refers to not muting the
string your are playing, while you are playing it, but then muting it after
each note, while muting all the other strings.
Note4: Down strokes refers to playing a string only
with a downward motion of the pick. Thus,
the pick starts high hits the string and bounces off, and instead of picking
the note with an upstroke of the pick on the rebound, return to a position with
the pick above the string before making another down stroke. This is a style of play Metallica commonly
uses. Generally, a down stroke sounds
heavier than an upward stroke, such that using all downward strokes makes for a
heavier sound.
Note5: Alternating strokes refers to picking with
upward strokes and downward strokes. The
purpose of alternating strokes is usually to gain speed while picking.
48:1 The first set of
exercises I gave was primarily so that one doesn’t injure their fretting hand
by stretch too much. Next, I increased
the “jiggas,” giving a picking hand work out.
The lesson-blogs from 40 to 63
will be on strengthening speed and finger motility.
48:2 The exercises in
this blog will involve the index finger, the ring finger, and the pinky
finger. Unlike earlier exercises, it
will go below the 5th fret.
48:3 On string 6, at
the 12th fret, play the following pattern using all down strokes: 14th
fret w/ring finger, 14th fret
with your ring finger, 15th fret with your pinky finger, and 12th
fret with your index finger.
48:4 On string 6, at
the 11th fret, play the following pattern using all down strokes: 13th
fret w/ring finger, 13th fret with your index finger, 13th
fret with your ring finger, and 14th fret with your pinky finger.
48:5 On string 6, at
the 10th fret, play the following pattern using all down strokes: 12
fret w/ ring finger, 12th fret with your index finger, 12th
fret with your ring finger, and 13th fret with your pinky finger.
48:6 On string 6, at
the 9th fret, play the following pattern using all down strokes: 11th
fret w/ring finger, 11th fret with your index finger, 11th
fret with your ring finger, and 12th fret again with your pinky
finger.
48:7 Work this
pattern down to the 1st fret.
Then, work it back up, a half step higher each time.
48:8 Repeat exercises
48:3 and so on; on the string 5.
48:9 Repeat exercises
48:3 and so on; on the string 4.
48:10 Repeat
exercises 48:3 and so on; on the string 3.
48:11 Repeat
exercises 48:3 and so on; on the string 2.
48:12 Repeat
exercises 48:3 and so on: on the string 1.
48:13 Repeat
exercises using alternating strokes (up and down) instead of just down strokes.
48:14 Repeat without palm muting w/down strokes.
48:15 Repeat w/palm muting and w/down strokes.
48:16 Repeat w/alternating strokes, w/palm muting.
48:17 If it feels
comfortable, this pattern can be played at higher frets than the ones listed.
48:18 Follow the
pattern in 48:3 - 48:34 as far up the frets is as still easy or playable on
your guitar.
48:19 Then, feel free
to work your way back to the 12th fret using the same pattern. Possibly consider moving the pattern down the
fret in whole steps. For example, start
at the pattern at the 19th fret, then the 17th fret, then
the 15th fret, then the 13th, then the 11th
fret.
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