I am not a huge fan of R&B, and though this album is
heavy on that vibe, in this case I totally love it. If you like good music, bass, sexy, rich
female vocals, hip hop without rap, and a bit of R&B, buy this album! This album is primarily made of bass and
drums, but that is the way of highlighting the bass. Bass players and drummers, the rhythm
section, have to be tight. Likewise,
though I am mostly out of touch with pop rap, I feel that whether or not that
is your thing, this is a tremendous album.
There is not a weak track.
Wooten should definitely be included in the small group of
musicians from the baby boomer generation that has consistently proved himself
more than a pro at his instrument, but a virtuoso. Honestly, it is unfortunate that music has
quite a canopy, such that someone even as great as Victor Wooten may not have
even made it in music in today’s world, which basically means that to my
knowledge, it doesn’t matter if you are awesome at an instrument, and that no
matter how hard you try or how skilled you are, there may not be a job
available to you. In today’s world it is
all about who you know. What I am
getting at is that the outlook for folks that are musicians at all levels is
bleak, but doesn’t mean that it is time to give up on music.
The main reason for this is the permanency of albums. It is easy to record a new album, but not
easy to differentiate an album from what has come before because now unlike any
other time in history, if you record a disc, the quality of it will be the same
100yrs from now and so on. This gives
early released albums in certain genres an advantage. There has also been a movement toward having
fewer musicians play live music. In the
past, bands never had a problem getting a job, such as playing a wedding, but
these days almost everyone wants a DJ instead of a band to play at some social
event such as a wedding.
One song I particularly like on this album is about the history
of awesome musicians that have played bass, and how bass used to be an
instrument that was sort of hidden in the background. Wooten plays something from each of their
styles, and even talks about the demonstration of that a bass player can front
a band. It isn’t the only album ever
like this, but I will say that this is one of the better instances of bass
heavy music that really flows. Being a
music lover, I am familiar with his favorite/inspirational bass players. For example, it is just great when Wooten
plays a line like the famous musician, Stanley Clarke, saying, “Stanley Clarke,
I tip my hat to you.”
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